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Born in Milwaukee,
WI, and raised in the neighboring suburb of Brown
Deer, Michael D. Witman was curious since his childhood
about the enchanting world of film. From the early age of
eight, he voiced to his mother his interest in being a stunt
man. However soon after, as he began to grow, Witman realized
the dangers in that choice and, to his mother's rejoices,
decided against that particular career path. Still his interest
in the film industry continued to persist throughout his young
years. |
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Durring grade school and
his years as a Boy Scout,
Witman explored the industry through reading, research, and
experimentation. With several papers and the loads of research
that came with those papers, he found himself fascinated with
the process behind the filmmaking. In particular, Witman was
captivated as to how movies could bring an audience to believe
things that were only possible in the imagination. Using visual
effects and camera manipulation to control the audience's
perception of the story being told continued to be key in
the subjects of his writing and research. |
| After high-school, Witman attended Webster
University for an undergraduate film production program.
Throughout those years, he directed eight short films, and helped
his fellow classmates with countless others. He also found himself
deeply involved in several organizations including the Media
Association and Gorlok
Television, the campus-wide TV station. During this time
and for several years after, Witman also worked as a volunteer
at the Sundance Film Festival
in Park City, UT. He graduated successfully after completing
his final and most complicated short film, Red
Ink, which was screened at over a dozen venues around the
nation including the St.
Louis International Film Festival and the Los
Angeles International Short Film Festival. |
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Since college, Witman has
moved to the west coast and currently resides in the Los Angeles
area working in the film industry. He began working as a set
production assistant and got the opportunity to be part of
several larger features including Live
Free or Die Hard and Eagle
Eye. From his work as a PA, Witman quickly began working
as an assistant director in the world of independent film.
After racking up a resume of over 25 features and shorts,
he took an opportunity to work in television as both a set
and office production assistant. Recently, Witman completed
work in the production office for seasons one and two of the
hit show, Modern
Family. |
| In the near future, Witman hopes to produce and direct his
first feature length film in Los Angeles. He is currently seeking
funding for a completed script, with hopes of bringing it to
life and beginning a path to his true career goals of directing. |
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